America is Open for
Business: Commercial Propaganda
Recently, I was shopping
for cleaning supplies at Target Greatland,
and I found myself, as always, filling
my cart with things I had not come for. Extra bars of soap,
toothbrush, shaving
cream, a DVD of Crouching
Tiger, Hidden Dragon, a twenty-gallon plastic
storage container, a new bath mat, coffee filters, an economy pack of
boy's pajamas printed with "King of Lizards,"and more. I was
there,
after all, and I needed all
of these items. Although it was a delightful late August day I
regret not exploiting, I was in no hurry to stop shopping. I was
browsing, my eyes scanning the long, well stocked aisles for other
things I might need.
After what might have been 45 minutes in the store, I looked up and saw
what had been lurking on the upper periphery of my vision: giant
banners strung every fifteen feet
from high above. Each banner featured a beaming, contented, well
adjusted, profoundly satisfied woman,
man, or child paired alternatingly with either the words "Want"
or
"Need". There must have been a hundred of these banners
throughout the store. How could I not have noticed such a
prominent feature? This got me thinking.
What was Target up to?
We all know that their primary motive is to make a profit, but why had
they chosen this particular adornment for the interior of their
store? Wouldn't other more direct messages like "Low Prices!" or "Consistent
Quality" be more effective in persuading people to buy? It
occured to me that something other than singing the virtues of the
store was at work here.
"Want" and "need" are, of
course,
what all advertisement strives to convince you you have. If an ad
is able to get anyone with
the ability to pay to believe that he or she wants or, better, needs a
product
that it is promoting it has succeeded. The problem for
advertisers is that most of their products are things the buying public
hardly needs
and, in many cases, wouldn't even want, and so the trick is to create a
sense in the
buying public that their lives are incomplete, to, in effect, make them
feel miserable about their lives; the product then represents a salve
for blister the ad has caused.
The pictures on the banners
in
the Target displayed ordinary people, who, while not the freakily leggy
runway
striders of Vogue magazine, were glowing, flawless, healthy, and
wholesome; they were content, neither wanting nor needing. I
looked around me and I observed the real
people one finds at the South San Francisco Target: a woman, her face
careworn and tense, pricing bath towels while her baby, in the nearly
full shopping cart, cried. Two boys fired pretend bullets at one
another using plastic semi-autormatic weapons. An older man, his
eyes bloodshot and weary, pushed a cart containing three cases of motor
oil with a pink frilly dress draped over the top. And I thought
of myself, how in this place I was immune to the concerns of life, its
disappointments, its sadnesses, its stresses.
None of us, I thought,
resembled these happy folks
unfurled above us like celestial visions, like angels of capitalism,
whose freedom from want taunted us up there, just out of reach as we
shoppers reached for our wallets and paid, paid, paid.
What I saw in Target
reminded me of what I saw in Soviet Russia twenty years ago. Enormous
billboards, posters, statues, and murals promoting peace, honor,
courage, and even frugality (there wasn't much to buy so this was,
believe it or not, a virtue). I was struck then by the crudeness
of these attempts to influence behavior. If you behave well, they
exhorted, you will bask in the glory of the state. They must see
right through it, I scoffed. Here, the images of steely-jawed
factory workers staring, unblinking, into the sun, looked nothing like
the gray-faced and depressed people I saw all around me as I rattled
along
in a Leningrad street car as it passed through weedy fields between
dilapidated tenements. Of course, these were messages backed by a
totalitarian regime: You need nothing, you ARE
happy! And, the ubiquity--like the ubiquity of
commercial propaganda in our country--had its desired effect: keeping
people from acting in their own best interest.
Confronted with propaganda, day in and day out, everywhere, anyone will
start to believe the unbelievable if only just enough to keep the
masses from doing anything
drastic.
In practice, has the high
ideal of freedom in our culture and society made us any more happy when
few of us will ever be free to purchase whatever we want and yet we are
told constantly of new things to want? Isn't this desire for more
stuff its own kind of oppression?
Don't worry, your teacher
is not a communist. I do hope you will reflect on how commercial
propaganda attempts to corrupt your priorities by, in effect,
distracting you from your own definitions of happiness and replacing
them with materialistic fantasies. If you don't resist the
assault of consumer culture, you are only nominally free. Your
contentedness, your satisfaction is the enemy of the advertiser.
Think for a few minutes
about your wants and needs. Can you distinguish them? Think
about who or what decides what you
are willing to spend your energies on in your life. Is it really
you?
Explore these ads, both recent and historical. How do you respond
to these when you think critically about them? Write your
reactions in your journals. You might be shocked at the video
clip of Fred Flintstone and Barney Rubble
smoking Winstons. I
was. Check out the Hilfiger ad to the right. I will discuss
it in class. Also, link here to the Frontline documentary The Merchants of Cool for the
sad
truth about how what's in is already out.
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Link here to a PDF of an excerpt
from John Berger's Ways of Seeing
that addresses how publicity and images function in our economy, our
culture, and our society.
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